15 CENTESIMI

 

Strip of three


As for the 10 centesimi, even this stamp was printed both on hand-made paper as well as machine-made paper (from 1854), with thickness and quality very variable, using both the "original" coat of arms as well as the "revisited" one (see the issue introduction and the "Going deep" section).
As for other values of this set it is possible to recognize the pieces printed with the first matrix that present the second "K" of KKPOST" defective and the first "E" of STEMPEL" incomplete at bottom (Fig. 1). Because the defects were quite visible the Vienna printing house decided to change quickly this matrix and, to save time, took the minting die of the 10 centesimi and substituted the "0" with a "5". It's possible to prove it by noticing as this second matrix (called by somebody "first matrix -second variation") show the characteristic sign of the first matrix of the 10 centesimi, that is the tilted sign on the external right side of the coat of arms at 2 mm from the top (Fig. 1a). It was used to print the 2nd type and part of the pieces of the third type (see later on).
.

First matrix
Fig. 1: 'K' defective and 'E' incomplete

First matrix
Fig. 1a: color trait at right

We can identify three main sub-types of the 15 centesimi; to be a bit more accurate, do exist several constant varieties of the various sub-types but their classification would be too large and too technical. It is therefore left to the specialists of the matter. To whom who wants to go in more details on the several sub-varieties of this stamp, I suggest the material present in the "Bibliography" section.
I will limit myself to describe only the three main types (outlining only the main recognition elements), as it is described in most of the Italian specialized catalogues.

1st TYPE: number "5" shifted from the upper label; second "K" of "KKPOST" defective and similar to a "F"; first "E" of "STEMPEL" incomplete at bottom; tip of the lower internal right ornament long and pointed; "S" of "CENTES" that ends before the internal ornament tip; "C" of "CENTES" slightly deformed due to a color dot in the lower curve (Fig. 2).

First type
Fig. 2:
first type


2nd TYPE: "K" of "KKPOST" and "E" of "STEMPEL" complete and regular; number "5" attached to the upper label and closed by a color dot; tip of the lower internal right ornament long and pointed, as in the first type; "S" of "CENTES" that ends exactly under the internal label tip. Two sub-types exist: the first one with the second "E" of "CENTES broken at bottom and the second one with the same letter complete (Fig. 3).

Second type
Fig. 3:
second type, 2nd sub-type

NOTE: just a clarification. Usually two stamps of this type are classified. Even with identical characteristics they differ for their quite different color shades; one is vermilion red (the rarest) and the other is pink. I show here the two stamps just to allow everybody to see the quite evident color difference (Fig. 3a-3b).

Vermilion
 
Pink

Fig. 3a: vermilion red

 

Fig. 3b: pink


3rd TYPE: differently from the 2nd type, the number "5" is attached to the upper label but open; tip of the lower internal ornament short and flat; the pieces on machine-made paper are always of this type (Fig. 4).
(NOTE: two sub-types do exist of this value. They differ by very minimal drawing details. I leave to the collectors, as always, the pleasure of the study...)

Third type
Fig. 4:
third type


Catalogued color shades (as per Sassone) - 1st type, hand-made paper

Red (typical color)
Red (first issue)
Carmine red (first issue)
Carmine red
Vivid carmine red
Vermilion red
Pale vermilion red
Deep vermilion red
Dark vermilion red

Catalogued color shades (as per Sassone) - 2nd type hand-made paper

Vermilion red (typical color)
Pale vermilion red
Deep vermilion red
Dark carmine red
- - - - - - - - - - - - - - - - -
Pink (typical color)
Carmine pink
Deep carmine pink
"Carnicino" (Skin type") pink

Catalogued color shades (as per Sassone) - 3rd type hand-made paper

Red (typical color)
Pale red
Deep red
Pink red
Salmon red
Salmon pink
Pale salmon red
Deep salmon red (confuse printing)
Pale carmine red
Carmine red
Deep carmine red

Catalogued color shades (as per Sassone) - 3rd type machine-made paper

Vermilion red (typical color)
Pale vermilion red
Salmon red
Vermilion pink
Salmon pink
Pale pink