The issue - general introduction
If already
the Naples Kingdom postage stamps appear late (January 1st 1858), the Sicily
ones are really "latecomers": they were issues only Saturday
January 1st 1859 and it is curious to notice how they were called at that time
"small picture card with four sides carrying Our Effigy" Sic!
The set is composed by the same 7 values as the Neapolitan one and precisely:
Half
Grano
|
Orange
|
1 Grano
|
Brown
|
2 Grana
|
Blue
|
5 Grana
|
Carmine
pink
|
10 Grana
|
Dark
blue
|
20 Grana
|
Slate
|
50 Grana
|
Brown
lake
|
We can ask ourselves
how the Two Sicilies Kingdom adopted so different postage stamps inside a
unique territory; the answer is that the two parts of the Kingdom did have
completely separated and autonomous Administrations so they were acting to
this aim as two completely different States.
The subject chosen for Sicily stamps was the Ferdinand II "Holy Effigy",
in profile, facing left, obtained from a photographic portrait.
The tool engraving responsibility was given to Tommaso Alojsio Juvara, famous
and quite valid engraver from Messina, who was paid for the job and material
the amount of "139 Grana and 80 Ducati".....
The work done was outstanding, of very high artistic and graphic level, to
the point that still today the Sicily stamps, also for the colors used for
printing, are considered between the most beautiful and elegant never appeared
in the worldwide philatelic panorama. And this despite the unfortunate printing
system adopted that did not bring justice to the quality of the engraving.
A thin white frame surrounds the royal effigy, at the center of the rectangular
stamp. All around there is the label (from left) "BOLLO DELLA",
"POSTA" "DI SICILIA" and below the indication "GR."
with the value.
For printing the calcographic process was used, starting from copper plates;
Giuseppe La Barbera provided the technical material needed for the production
and the printing took place in the printing house of Francesco Lao in Palermo.
The stamps were printed in 100 pieces sheets, in 10 rows of 10 pieces, separated
from each other by thin typographic blades.
The paper used was machine made type, at the beginning bought in Naples (wrinkled,
porous and irregular) and later on in Palermo (whiter, flat and homogeneous).
It's very interesting to notice how the color selection has been made with
particular attention to avoid that, even with the use of letter paper, it
was eventually possible to create the tricolor representing the Sardinian
State.
The printing matrixes, with the insertion of the value plug, were obtained
staring from the original tool and, as said, were composed by 100 engravings,
some in reality constituted by 4 blocks of 25 close each other. The duplication
defects of the original tool are quite a lot; in fact for each stamp is possible
to identify its position on the sheet by looking to its defects. In several
cases it was necessary to proceed to modify directly the matrixes (retouches)
to complete parts of the drawing that were not fully duplicated (and not,
as somebody thinks, just to correct defects in consequence of the wear with
the use of the matrixes); printing parts missing, dot not printed, thin scratches,
etc. are very frequent in these stamps. The study of these modifications and
the Sicily plates reconstruction is always an exciting collection followed
by several specialists. In the "Going Deep" section several
modifications are illustrated and I show also the representation of the 100
parts forming the III plate of the 2 grana.
To be picky there are also very small identification details that are common
to all the stamps, independently from their value and the plate. Three out
of the most important are (Fig. 1):
A) Small color dot in the white frame under "A" of "POSTA".
B) Small color spot under the second "L" of "DELLA" that
goes to touch the white underlying frame.
C) Color traits more or less evident under the "B" of "BOLLO"
and under the "A" of "SICILIA".
Besides these there are some others specific for each value, but I believe
that the details mentioned in the analysis of the plates of the single values
are more than enough... to create confusion! For this reason I will avoid
to mention them, also because they are often not so visible.
Fig. 2:
some details common to all pieces
Some stamps of the set were printed using various plates due to the high wear as a consequence of their use. Here is the scheme followed:
Half
Grano
|
2
plates
|
1 Grano
|
3
plates
|
2 Grana
|
3
plates
|
5 Grana
|
2
plates
|
10 Grana
|
1
plate
|
20 Grana
|
1
plate
|
50 Grana
|
1
plate
|
As you can see more
plates were used for the values of major use; inside the card of the single
stamp is explained how to identify them, as well as the major characteristics
of each of them.
Even the printing inks did not remain constant; to the point that the shade
and inking differences are quite significant. Between the varieties more important
we know double printings, printing with greasy inks and front-back printings:
we are talking always of valuable varieties.
To be mentioned also the existence of two samples of the II plate half Grano
printed as essays and by mistake used in blue color instead of orange.
We know also some color tests printed by Juvara (very rare) and some printed
by La Barbera and by Lao.
Various are also the essays prepared before the definitive issue. Between
them I mention the Barone (Fig. 2) and the Lesaché ones.
Other essays were made after the abolition of the Sicilian stamp, by Ficarotta
and Porcasi; for various and complex reasons non one was used, due also for
the definitive "stop" to the stamps production, stops arrived March
11th 1861. Also in these case we are talking about uncommon parts.
Fig. 2:
one of the Giuseppe Baroni essays of 1858
The Sicilian stamps were took of circulation step be step, following the Garibaldi landing, from May/June 1860 (the official abolition decree dated May 27h 1860, therefore before the liberation of the whole island!) are known used up to July end (Messina, July 23rd 1860). Other values were supposed to be issued in place if the Borbonic ones; here is explained the reason of the essays prepared after the Borbone fall before mentioned Several problems and impediments of various nature hindered the issue of these values; in the meantime the tax for the mailing of letters continued to be paid by cash, up to April 1861. In fact the introduction of the Sardinian stamps took place starting March 1861; but their use really started at April end.
We know the volume
of the Borbonic stamps printed and sold, that is the following:
Value
|
Printed
|
Sold
|
Half
Grano
|
235.000
|
137.561
|
1
Grano
|
540.000
|
443.056
|
2
Grana
|
1.650.000
|
1.447.101
|
5
Grana
|
200.000
|
95.388
|
10
Grana
|
100.000
|
78.892
|
20
Grana
|
100.000
|
42.071
|
50
Grana
|
25.000
|
7.174
|